Wednesday, August 08, 2007
Scientific Science Fiction
The blogsite Website at the End of the Universe has an entry providing links to lists of science fiction novels that apply real science to their stories. There's also a link to an Outer Space Science Textbook for science fiction writers to check their accuracy. How close to real science a science fiction novel should adhire is still an open question with opinions on both sides. As for myself, I'm not a scientist, but I still like to write, and I only hope my ideas are interesting enough to merit forgivness on the part of realists. In a way, science fiction is simply a sub-branch of fantasy.
Monday, June 25, 2007
Pepe accepted for publication
I've been offered a contract for my manuscript of Pepe. That is very good new for me, as it will mean I can soon update my resume to include a published work.
The publisher is an online company called Writer's Exchange. They sell their books on Reader's Eden.
I think I said something about online publishers a few entries ago. I won't be getting a big advance up front like the big New York companies give. It will be for electronic media rights only, unless I later exercise the option of POD (see my previous blog entry for what that means). As I said then, e-publishing is beginning to come into its own as a viable venue for becoming an established author. Some on-line books verge on being best-sellers in their own right. For authors looking for a place to publish their first novel, I'd recomend it. One online publisher I looked at warned that they accept only about 30% of their submissions. I thought "Wow! That's high!" A typical New York publisher, even one that accepts individual submissions, the rate is more like .1%. At that rate, one could have the best manuscript that was ever written and spend ones whole life fruitlessly trying to break in to the publishing field.
I don't expect to generate a big enough income to quit my day job very soon. However, that would be a blessing, as that would enable us to branch out into other types of ministry that are out of reach at this moment.
Anyway, keep your eyes on this spot for further news...
The publisher is an online company called Writer's Exchange. They sell their books on Reader's Eden.
I think I said something about online publishers a few entries ago. I won't be getting a big advance up front like the big New York companies give. It will be for electronic media rights only, unless I later exercise the option of POD (see my previous blog entry for what that means). As I said then, e-publishing is beginning to come into its own as a viable venue for becoming an established author. Some on-line books verge on being best-sellers in their own right. For authors looking for a place to publish their first novel, I'd recomend it. One online publisher I looked at warned that they accept only about 30% of their submissions. I thought "Wow! That's high!" A typical New York publisher, even one that accepts individual submissions, the rate is more like .1%. At that rate, one could have the best manuscript that was ever written and spend ones whole life fruitlessly trying to break in to the publishing field.
I don't expect to generate a big enough income to quit my day job very soon. However, that would be a blessing, as that would enable us to branch out into other types of ministry that are out of reach at this moment.
Anyway, keep your eyes on this spot for further news...
Thursday, June 21, 2007
Post Science Fiction?
I think I've found my genre. Michael Moorcock's blog of 18, June, talking about pre-generic prototypes for various genres, in which he suggests Jonathan Swift's third book of Gulliver's Travels as a possible candidate, suddenly starts talking about post-genre:
-- Or maybe 'post -' would imply breaking that rule as well? Maybe if what was previously written about as science fiction, suddenly appears to be reality in the very near future, one could get away with that and call it "Post Science Fiction". William Gibson has written some stories that I would class Post Science Fiction, but has been called "cyberpunk". He writes about the culture that is presently immersed in high tech, but setting their technology just slightly into the future by about 10 years. I don't think he breaks the rule regarding the link between plot and high tech setting though.
I think Pepe would fit into that genre.
... Ah, and what of the post-generic form? Assuming that post-generic modesI would propose that in the case of Science Fiction, a post genre novel would simply treat the futuristic type technological backdrop as simply that. The story isn't specifically about the high tech device that saves the day, but about the same things that make any other story work, be it self sacrifice, intense love, brawn and wit, whatever. However, the rule of the genre is, the sci fi backdrop must be necessary to the story, so that the plot couldn't possibly happen in any other setting. In other words, you can't simply rewrite Romeo and Juliet with exactly the same plot Shakespeare used. but set it in an interplanetary setting, using light sabres instead of swards.
must not necessarily (or invariably) lead to postmodernism, what might a
post-generic mode look like? Post-science fiction? Post-swords and
sorcery?
-- Or maybe 'post -' would imply breaking that rule as well? Maybe if what was previously written about as science fiction, suddenly appears to be reality in the very near future, one could get away with that and call it "Post Science Fiction". William Gibson has written some stories that I would class Post Science Fiction, but has been called "cyberpunk". He writes about the culture that is presently immersed in high tech, but setting their technology just slightly into the future by about 10 years. I don't think he breaks the rule regarding the link between plot and high tech setting though.
I think Pepe would fit into that genre.
Monday, April 23, 2007
Charles Dicken's Satire
I read this bit in Charles Dickens' preface to his 1847 edition of Pickwick Papers:
Lest there be any wellintentioned persons who do not perceive the difference (as some such could not when Old Mortality was newly published) between religion and the cant of religion, piety and their pretence of piety, a humble reverence for the great truths of Scripture and an audacious and offensive obtrusion of its letter and not its spirit in the commonest dissensions and meanest of affairs of life, to the extraordinary confusion of ignorant minds, let them understand that it is always the latter, and never the former, which is satirized here. Further, that the latter is here satirized as being, according to all experience, inconsistent with the former, impossible of union with it, and one of the most evil and mischievous falsehoods existent in society -- whether it establish it head-quarters, for the time being, in Exeter Hall or Ebenezer Chapel or both. It may appear unnecessary to offer a word of observation on so plain a head. But it is never out of season to protest against that coarse familiarity with sacred things which is busy on the lip and idle in the heart, or against the confounding of Christianity with any class of person who, in the words of Swift, have just enough religion to make them hate, and not enough to make them love, one another.
Friday, April 20, 2007
Silent Comix
I've now completed my Silent Comix page.
It started with an idea for teaching my private English students. I penciled some drawings in a comic strip format, but without any captions or dialogue, so my students could look at the pictures and then tell me the story in English. Later, I inked over the pencil drawings, and later sill, scanned them in. I've finally got them formatted for the Internet, and they can be viewed here.
They're good for teaching English, for illiterates, or for those too lazy to plow through a lot of text. I think they're good stories, worthy of any comic book. My favourite is the series on Cornelius the Genius.
It started with an idea for teaching my private English students. I penciled some drawings in a comic strip format, but without any captions or dialogue, so my students could look at the pictures and then tell me the story in English. Later, I inked over the pencil drawings, and later sill, scanned them in. I've finally got them formatted for the Internet, and they can be viewed here.
They're good for teaching English, for illiterates, or for those too lazy to plow through a lot of text. I think they're good stories, worthy of any comic book. My favourite is the series on Cornelius the Genius.
Tuesday, April 10, 2007
Online Publishing
Just to add to my last blog, what I said about Internet publishers deserves more comment.
A few years ago, when I published The Story of St. Catrick, ebook publishers weren't something you could take all that seriously. Especially, what they call subsidy publishers, like the company where I published Catrick.
A subsidy publisher is one where the author pays a fee, and the publisher does just whatever the auther pays them to do. Unless you're absolutely sure that you have something that will sell, that doesn't need editing for grammer and style errors, and you have a budget to pour into marketing, I'd advise going with a publisher that doesn't charge a fee, but is picky as to what they'll publish -- in other words, they more often than not, send you a polite email saying your manuscript doesn't fit into their publishing agenda. When they do accept you, they take a personal interest in whether it sells or not. It doesn't just sit there, like Catrick did.
'More often than not' is a far better ratio than 999,999 times out of a million, which is more like what you get from standard 'New York' publishers. By 'New York', I don't mean they're necessarily situated in that great city, but that they are a standard paper-only publisher that has to print about a thousand copies of their first editions, and therefore must be absolutely sure that your book is going to sell a big enough persentage of that for them to make it profitible. New York has more than its share of those types, and the top ten lists are done from there.
In a few short years, times have changed. More authors are now making a sizable income from books published on-line. Some best sellers are in the ebook cattigory.
A side product of the downloadable book file (in PDF format or whatever) is P.O.D., or Publishing on Demand. Some publishers do it for you, some rely on a third party to do it. The company where I did Catrick also happens to do POD for other publishers, including one that is now deciding on my Pepe manuscript. POD is where they use ultra modern printer-copiers and desk size book binding machines to print only as many books as have been ordered, be it one, ten or 100. They don't have to pay storage cost, and they have less to loose if your book doesn't sell at all.
However, the non-subsidy companys are still picky, because they edit your book for you, they design a cover, and they market it, which still requires an investment on their part. The fact that they are picky also means that the book buyer can be sure that the books listed will be of a standard quality, and not the rants of some half literate crack-pot as they might find in a subsidy list.
As an author, you do, after all, want a market full of confident buyers.
The biggest obstacle you'll probably find is that a publisher is presently closed to submissions. They'll open again when their present pile of manuscripts get low enough to where they feel they can realisticly tell you they'll look at yours within the next six months to a year. They might say on their site when they expect to open.
The length of time that they take to review your manuscript is the other obstacle, but that's also the case with 'New York' publishers.
Anyway, here are some links. This one is for some articles about the state of internet publishing. Here's another one by author Piers Anthony, author of Zanth, with a list of both subsidy and non subsidy publishers. He comments on each one, giving negative views on some, forwarding his readers comments, and tells you which are subsidy publishers.
A few years ago, when I published The Story of St. Catrick, ebook publishers weren't something you could take all that seriously. Especially, what they call subsidy publishers, like the company where I published Catrick.
A subsidy publisher is one where the author pays a fee, and the publisher does just whatever the auther pays them to do. Unless you're absolutely sure that you have something that will sell, that doesn't need editing for grammer and style errors, and you have a budget to pour into marketing, I'd advise going with a publisher that doesn't charge a fee, but is picky as to what they'll publish -- in other words, they more often than not, send you a polite email saying your manuscript doesn't fit into their publishing agenda. When they do accept you, they take a personal interest in whether it sells or not. It doesn't just sit there, like Catrick did.
'More often than not' is a far better ratio than 999,999 times out of a million, which is more like what you get from standard 'New York' publishers. By 'New York', I don't mean they're necessarily situated in that great city, but that they are a standard paper-only publisher that has to print about a thousand copies of their first editions, and therefore must be absolutely sure that your book is going to sell a big enough persentage of that for them to make it profitible. New York has more than its share of those types, and the top ten lists are done from there.
In a few short years, times have changed. More authors are now making a sizable income from books published on-line. Some best sellers are in the ebook cattigory.
A side product of the downloadable book file (in PDF format or whatever) is P.O.D., or Publishing on Demand. Some publishers do it for you, some rely on a third party to do it. The company where I did Catrick also happens to do POD for other publishers, including one that is now deciding on my Pepe manuscript. POD is where they use ultra modern printer-copiers and desk size book binding machines to print only as many books as have been ordered, be it one, ten or 100. They don't have to pay storage cost, and they have less to loose if your book doesn't sell at all.
However, the non-subsidy companys are still picky, because they edit your book for you, they design a cover, and they market it, which still requires an investment on their part. The fact that they are picky also means that the book buyer can be sure that the books listed will be of a standard quality, and not the rants of some half literate crack-pot as they might find in a subsidy list.
As an author, you do, after all, want a market full of confident buyers.
The biggest obstacle you'll probably find is that a publisher is presently closed to submissions. They'll open again when their present pile of manuscripts get low enough to where they feel they can realisticly tell you they'll look at yours within the next six months to a year. They might say on their site when they expect to open.
The length of time that they take to review your manuscript is the other obstacle, but that's also the case with 'New York' publishers.
Anyway, here are some links. This one is for some articles about the state of internet publishing. Here's another one by author Piers Anthony, author of Zanth, with a list of both subsidy and non subsidy publishers. He comments on each one, giving negative views on some, forwarding his readers comments, and tells you which are subsidy publishers.
Wednesday, April 04, 2007
Blogsite, school, novels, etc.
I suppose it's about time for a new blog entry, even if I don't have anything profound to say that's going to blow the bloggusphere away. If I don't say something, then the next post below, entitled 'new look' is going to look funny on top with such an ancient date stuck on.
Speaking of 'new look', note the picture of me I've posted, which appears near the bottom of the page in the 'about me' section.
At this very moment, I'm sitting in the computer room of the school as I write. My four year old son has started school now. I hope he picks up Thai quickly. This is the best school for him in that it's bi-lingual. He can learn his Thai without forgetting his English.
I'm still trying to publish my novels. At least I have three on the market, which increases my chances of getting one published. I have all of them listed here. Also, I'm going with the internet publishers, which now seem to have a better future than they did before.
Speaking of 'new look', note the picture of me I've posted, which appears near the bottom of the page in the 'about me' section.
At this very moment, I'm sitting in the computer room of the school as I write. My four year old son has started school now. I hope he picks up Thai quickly. This is the best school for him in that it's bi-lingual. He can learn his Thai without forgetting his English.
I'm still trying to publish my novels. At least I have three on the market, which increases my chances of getting one published. I have all of them listed here. Also, I'm going with the internet publishers, which now seem to have a better future than they did before.
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