Thursday, June 21, 2007

Post Science Fiction?

I think I've found my genre. Michael Moorcock's blog of 18, June, talking about pre-generic prototypes for various genres, in which he suggests Jonathan Swift's third book of Gulliver's Travels as a possible candidate, suddenly starts talking about post-genre:
... Ah, and what of the post-generic form? Assuming that post-generic modes
must not necessarily (or invariably) lead to postmodernism, what might a
post-generic mode look like? Post-science fiction? Post-swords and
sorcery?
I would propose that in the case of Science Fiction, a post genre novel would simply treat the futuristic type technological backdrop as simply that. The story isn't specifically about the high tech device that saves the day, but about the same things that make any other story work, be it self sacrifice, intense love, brawn and wit, whatever. However, the rule of the genre is, the sci fi backdrop must be necessary to the story, so that the plot couldn't possibly happen in any other setting. In other words, you can't simply rewrite Romeo and Juliet with exactly the same plot Shakespeare used. but set it in an interplanetary setting, using light sabres instead of swards.

-- Or maybe 'post -' would imply breaking that rule as well? Maybe if what was previously written about as science fiction, suddenly appears to be reality in the very near future, one could get away with that and call it "Post Science Fiction". William Gibson has written some stories that I would class Post Science Fiction, but has been called "cyberpunk". He writes about the culture that is presently immersed in high tech, but setting their technology just slightly into the future by about 10 years. I don't think he breaks the rule regarding the link between plot and high tech setting though.

I think Pepe would fit into that genre.

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